Roots and Rhizomes: Relational Networks in the Art of Carolina Caycedo

Wednesday, November 11th, 2026 at 5:30 PM
1 Brookings Drive, St. Louis, MO 63130St. Louis, MO

About This Event

In 2022, Carolina Caycedo stewarded the planting of an indigenous shadbush tree in a community garden in New York City’s East Harlem (El Barrio). This living organism, whose metaphorical seeds grew from Caycedo’s ongoing Genealogy of Struggle series, inspires Susanna V. Temkin’s exploration of the artist’s work within larger relational networks. Expanding ecological and symbolic concepts associated with roots, seeds, and branches, Temkin considers connections within Caycedo’s practice and across broader art histories of the Americas. In particular, Temkin will address connections to other artists in Caycedo’s work, along with broader histories of protest, ecofeminism, solidarity, and resistance.

This talk is presented in conjunction with the exhibition Carolina Caycedo: Growing Deep Roots, as well as the forthcoming presentation of Confluencias at El Museo del Barrio, New York (originated at the Museu de Arte de São Paulo).

Part of the Sam Fox School Public Lecture Series.

About the Speaker

Susanna V. Temkin is an art historian and the interim chief curator at El Museo del Barrio, where she has worked since 2018. Temkin earned her master’s and PhD degrees from the Institute of Fine Arts, New York University, where her research focused on modern art in the Americas, with a concentration on Cuba. At El Museo, her curatorial credits include the museum’s fiftieth anniversary exhibition, Culture and the People (2019), La Trienal (2020, 2024, and forthcoming 2027 edition), and the recent monograph of photographer Sophie Rivera (2026), among others. Prior to El Museo, she served as assistant curator at Americas Society in New York, as well as the research and archive specialist at the Cecilia de Torres Ltd., where she assisted in co-authoring the digital catalogue raisonné of artist Joaquín Torres-García. Temkin contributed essays to several exhibition catalogues and publications and is currently serving on the editorial board of the Journal of Latin American and Latinx Visual Culture.

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